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Written by Kate Hamill 
Cheerfully desecrating the stories of Sir Arthur Conan Doyle

September 27 - October 6, 2024

Directed by jeremy o'brian

Scenic & Props Designer | John Michael Eddy
Costume Designer | Bethany Sassen
Lighting Designer | Smaida Massatt
Sound Designer | Tyler Kieffer
Stage Manager | Olivia Lunsford

The video or audio recording of this performance by any means is strictly prohibited.

MS. HOLMES & MS. WATSON – APT. 2B is presented through special arrangement with TRW PLAYS
1180 Avenue of the Americas, Suite 640, New York, NY 10036. www.trwplays.com


Sherlock Holmes Hailey Wendelstedt 
Dr. Joan Watson Jalia Martin
Irene Adler/Pizza Girl Mallory Luckett
Mrs. Hudson Grace Laurent
Mrs. Drebber Jules Hilillo Fernandez
Moriarty/Lestrade Oreoluwa Onasanya
Elliot Monk Ricardo Mendoza


Assistant Stage Manager McKenley Hobson
Production Manager Jim L. Murphy
Charge Scenic Supervisor Apollo Weaver
Charge Scenic Artist Alissa Clemmons
Costume Shop Manager Kyla Kazuschyk
Costume Crew Layla Brown-Collado, India Lathan, Kairie MaGee, Gwen Whetstone
Light Board Operator Kaitlyn Bost
Assistant Sound Designer Bella Rodriguez
Sound Board Operator Andrew Branton
Intimacy Coordinator Dori Leeman
Fight Choreographer Nick Erickson
Dialect Coach Maura McErlean
Run Crew Chris Gerbrick, Izzy Kubisiak, Christy Reine, Lio Smith
Production Advocate Sonya Cooke

 

  • Rachel Aker, CMDA Career Coach
  • Drew Alvarez, Front Office & Box Office Coordinator
  • Rachel Bardin, Assistant Professor of Film & Television
  • Suzanne Chambliss, Instructor
  • Joe Chrest, Adjunct Professor, Film & Television
  • Sonya Cooke, Assistant Professor Acting
  • Brett Duggan, Adjunct Professor Acting
  • John Michael Eddy, Professional-in-Residence Props
  • Nick Erickson, Associate Professor Movement, Head of MFA Acting
  • Femi Euba, Louise & Kenneth Kinney Professor Black Drama & Playwriting
  • Melissa Fay, Business Manager School of Theatre
  • John Fletcher, Billy J. Harbin Associate Professor Theatre History
  • Paloma Gonzalez, Student Data Coordinator
  • Jason Jamerson, Assistant Professor Virtual Production & Immersive Media
  • George Judy, Gresdna A. Doty Professor Acting & Directing
  • Kyla Kazuschyk, Associate Professor Costume Technology
  • Tyler Kieffer, Assistant Professor Sound Design
  • Susannah Knoll, Executive Assistant to the Dean
  • Vince LiCata, Adjunct Professor
  • Mira Lippold-Johnson, Adjunct Professor Film &Television
  • Smaida Massatt, Assistant Professor Lighting & Media Production
  • Jim Murphy, Professor Technology, Production Manager, Head MFA Technology/Design
  • Katie Pryor, Adjunct Professor Film & Television
  • Claudio Ribeiro, Professional-in-Residence Co-Head Dance
  • Rocky Sansom, Associate Professor Voice, Associate Head MFA Acting
  • Alan Sikes, Associate Professor Theatre History
  • Amy Smith, Assistant Dean of Student Success Counselor
  • Kristin Sosnowsky, Executive Associate Dean, Chair & Professor
  • Vastine Stabler, Swine Palace Managing Artistic Director
  • Chris Stelly, Adjunct Professor Film & Television
  • Vanessa Uhlig, Assistant Professor of Film & Television, Head of Film & Television BFA
  • Rebecca Wagner, Student Success & Recruiting Coordinator
  • Shannon Walsh, Associate Professor Theatre History, Associate Dean DEI
  • Apollo Weaver, Assistant Professor Scenic Design
  • Chris Wood, Professional-in-Residence Scenic Technologist/Shop Manager

PRODUCTION

photo of jeremy o'brian

jeremy o'brian

jeremy o'brian (Director) is a playwright, songwriter, and theatre-maker from Lambert, Mississippi, whose work centers the experiences of black gay boys while drawing from the poetics of the black south, black popular culture, and the black vernacular tradition. He is an HBCU graduate of Tougaloo College and received his Master of Arts in African and African Diaspora Studies from the University of Texas at Austin. He has received the New York Stage and Film Founders’ Award (2021), Liberation Theater Comapny’s Playwriting Residency(2019), Lambda Literary Emerging LGBTQ Voice in Playwriting Fellowship (2016), and more. His plays include: egg; or anythin’ dipped in egg gone soften, a curious thing; or superheroes k’ain’t fly, under one roof; or home to Mississippi, and boys don’t look at boys. jeremy is an adjunct professor and Associate Writer with Tectonic Theater Project.

 

Olivia Lunsford Headshot

Olivia Lunsford

Olivia Lunsford (Stage Manager) is a senior Theatre Major (Arts Administration) and Music Major (Experimental Music and Digital Media) with a Business Administration Minor. Her previous stage managing credits include LSU School of Theatre’s Craters, Airness, LSU’s 2022 Dance and Physical Theatre Showcase, LSU Lab Season’s Belleville, and LSU Theatre’s The Last Beginning, which LSU took to the Edinburgh Fringe Festival this past summer. 

 

Headshot of John Eddy

John Eddy

John Eddy (Set & Props Designer) is the Props Designer/Mentor for the LSU School of Theatre; he completed his undergraduate work at the University of Arizona and holds an MFA in Theater Production and Design from Temple University in Philadelphia. In addition to his prop work and scenic designs, he serves on the Board of Directors for Playmakers of Baton Rouge; Playmakers is a children’s educational theatre group who is proud to call the LSU Reilly Theater their home. www.johhmeddy.com

 

Headshot of Bethany Sassen

Bethany Sassen

Bethany Sassen (Costume Designer) is a current MFA in Costume Design and Technology Student. She has been working in theatre since 2016 when she graduated from Carthage College. Bethany grew up in the suburbs of Chicago, but has moved around multiple times. This will be her third production designing for LSU and 7th working on.

 

Headshot of Tyler Kieffer

Tyler Kieffer

Tyler Kieffer (Sound Designer) is the Assistant Professor of Sound Design and Technology for LSU Theatre. Tyler is a sound designer for new plays, opera, and immersive theatre. He’s been twice nominated for the New York Drama Desk Awards for Outstanding Sound Design in 2019 for Will Arbery’s Plano and in 2021 for Tectonic Theater Project’s Seven Deadly Sins. Other recent credits include Swine Palace’s Operating Systems, Craters, ROE; Tribes, Cat on a Hot Tin Roof at Le Petit theatre in New Orleans, and Found at the Cork Midsummer Festival Ireland. Tylerkieffer.com

 

Headshot of Smaida

Smaida Massatt

Smaida Massatt (Lighting Designer) worked as a lighting designer and electrician in the Chicago and Minneapolis areas. She earned her MFA in Lighting Design at the University of Minnesota. Some of the theatres she has worked for include Minnesota Children’s Theatre Co., Penumbra Theatre, Minnesota Opera, Theatre Latté Da, Interact Theater Company. She has also worked in several capacities in numerous theaters and dance companies including Chicago Shakespeare Theatre, Chicago Opera Theater, Cerqua Rivera Dance Theatre, and Chicago Puppet Festival.

 

headshot of Dori Leeman

Dori Leeman

Dori Leeman (Intimacy Coordinator) is a 5th year PhD student in Theatre History at LSU where her research focus is mental health and the performing artist, as well as using drama techniques therapeutically. She has an MFA in Theatre Performance and worked as a professional actor and educator in the Dallas and Atlanta area for over 15 years at many of the professional theatres, including the Tony Award winning Alliance Theatre. Dori holds a Master of Science degree in Clinical Counseling Psychology and has trained with Theatrical Intimacy Education for the last year. In addition to her studies and creative work, Dori has an awesome husband and two amazing boys named Sam and Levi.

 

Nick Erickson

Nick Erickson

Nick Erickson (Fight Choreographer) received his MFA in Acting at Cal-Arts. He has performed at such places as Swine Palace, Intiman Theatre, Empty Space Theatre, Colorado Shakespeare Festival and the Edinburgh Fringe Festival. He has acted in several movies including College, A Perfect Day, The Staircase Murders and Mahjong. He also was a guest star on the Fox television series K-Ville. He was a founding member of Diavolo Dance Theatre and for seven years co-choreographed and performed in almost all of the company’s pieces on three national tours and abroad. Since 2008, he has produced and directed an LSU student production to tour to the Edinburgh Festival Fringe every other year as an Academic Program Abroad. He is the resident Fight Choreographer for all Swine Palace and LSU Theatre productions.

 

Headshot of Maura McErlean

Maura McErlean

Maura McErlean (Voice and Dialect Coach) is a second-year MFA in Acting candidate, raised in Hershey, PA, and most recently based in Philly. This is her first production coaching voice and dialect, and she couldn't have asked for a lovelier cast to work with. Past LSU Theatre: The Book of Will (Alice Heminges) & ROE (Norma McCorvey). Upcoming at LSU: People, Places & Things. Thank you to jeremy, Olivia & McKenley for welcoming me onto the team, and a special thanks to Dr. Rockford Sansom for his continued mentorship and support. 

 

Headshot of McKenley

McKenley Hobson

McKenley Hobson (Assistant Stage Manager/Weapons Specialist) is a junior Theatre Major (Design and Technology). Her previous tech credits include The Nutcracker, Miss LSU-USA 2023, Miss LSU-USA 2024, Singeaux 2023, and Singeaux 2024 with the LSU Union Theatre. She has also stage managed many shows with the Lynn Meadows Discovery Center Theatre.

CAST

Hailey Wendellstedt

Hailey Wendelstedt

Hailey Wendelstedt (Sherlock Holmes) is a junior Theatre Major (Performance). Previous credits include the LSU Lab Season production Antigone, Presented by the girls of St Catherines. She is an active member of Pi Beta Phi and LSU's Physical Theatre Club. She also serves on the executive board of the women's non-profit Level Ump that works to get women involved in professional Umpiring.

 

Headshot of Jalia Martin

Jalia Martin

Jalia Martin (Joan Watson) is a senior Theatre Major (Performance) and Spanish minor. Credits include LSU Lab Season show Antigone presented by the girls of St. Catherine, LSU Theatre Mainstage's Rachel, and the Geaux Films Moxie and Araignee.  

 

Headshot of Mallory

Mallory Luckett

Mallory Luckett (Irene Adler/Pizza Girl) is a junior Theatre Major (Performance) and Chemistry Major (Pre-Health). This is her debut show with LSU Theatre, but previous credits include Sullivan Theater’s Little Shop of Horrors; The Foundation of the Arts’ Bright Star, 42nd Street, and 9 to 5: The Musical. She is a member of LSU’s Musical Theatre Club.

 

Headshot of Grace Laurent

Grace Laurent

Grace Laurent (Mrs. Hudson) is a senior Theatre Major (Performance) and Mass Communication Minor (Public Relations). Previous credits include Swine Palace’s Roe, LSU Mainstage’s At the Wedding, LSU Musical Theatre Club’s Heathers: The Musical and Singeaux, and Theatre Baton Rouge’s The Laramie Project. Over the summer, she traveled to Edinburgh, Scotland with the LSU School of Theatre to perform The Last Beginning at the Edinburgh Fringe Festival.

 

Headshot of Jules

Jules Hilillo Fernandez

Jules Hilillo Fernandez (Mrs. Drebber) is a junior Theatre Major (Performance) and Music Minor. Previous credits include LSU Musical Theatre Club’s The Nightmare Before Christmas and Heathers: The Musical. They also stage-managed Theatre Baton Rouge’s The Laramie Project.

 

Headshot of Ore

Oreoluwa Onasanya

Oreoluwa Onasanya (Lestrade/Moriarty) is a senior Theatre Major (Performance). He was previously in the LSU Lab Season production of Dead City. He is also a member of the current improvLSU performance troupe.


Headshot of Ricardo

Ricardo Mendoza

Ricardo Mendoza (Elliot Monk) is a native Puerto Rican pursuing a degree in Theatre here at Louisiana State University. Previous credits include the LSU Mainstage's Marburg, Lab Season's All I Really Needed to Know I Learned in Kindergarten, MTC's Disney Cabaret, MTC's The Nightmare Before Christmas The Fan Musical. Other credits include Theatre Baton Rouge's The Laramie Project.

Kate Hamill Photo

Kate Hamill

Originally from the farms and fields of upstate New York, Kate is an award-winning NYC-based actor/playwright. She is deeply passionate about creating new feminist, female-centered classics, both in new plays and in adaptation: stories that center around complicated women. Her work as a playwright celebrates theatricality, often features absurdity, and closely examines social and gender issues – as well as the timeless struggle to reconcile conscience / identity with social pressures. As an actor, she tends to play truth-tellers, oddballs, and misfits.

Kate was named 2017’s Playwright of the Year by the Wall Street Journal. She has been one of the 10 most-produced playwrights in the country, 3 seasons running (2017-2020); in both 2017-2018 and 2018-2019, she wrote two of the top 10 most produced plays in the U.S.; many of her plays have been produced internationally. Future productions, including 4 world premieres in 2019/2020: Dracula at Classic Stage Company, Emma at the Guthrie, Prostitute Play at Cygnet Theater, and Scarlet Letter at South Coast Rep. Her previously-produced plays include Sense and Sensibility (Bedlam; in which she originated the role of Marianne) – Winner, Off-Broadway Alliance Award; Nominee, Drama League Award; 265+ performances off-Broadway; “Top Ten Theater of 2014” – Ben Brantley; “the greatest stage adaptation of this novel in history” – Huffington Post. Other plays include Vanity Fair (The Pearl; in which she originated the role of Becky Sharp; Nominee, Off Broadway Alliance Award; WSJ Critic’s Pick), Pride and Prejudice (Primary Stages / HVSF; in which she originated the role of Lizzy Bennet; Nominee, Off Broadway Alliance Award; “Best Theater of 2017”, Huffington Post; WSJ Critic’s Pick), Little Women, Mansfield Park (originated role of Mary Crawford), and Dracula (Classic Stage Company; originated role of Renfield; WSJ Critic’s Pick.)

Her plays have been produced off-Broadway, at A.R.T., Oregon Shakespeare Festival, the Guthrie Theatre, Portland Center Stage, Seattle Rep, PlayMaker’s Rep, Hudson Valley Shakespeare Festival, Dallas Theater Center, Folger Theatre (8 Helen Hayes Award nominations; Winner, best production) & more. Kate’s Sense and Sensibility, Pride and Prejudice, Vanity Fair, and Little Women are published by DPS. She is currently working on an adaptation of The Odyssey (commissioned by A.R.T.) as well as several new original plays – including Love Poem, In The Mines (Sundance Semi-Finalist; now collaborating with The Bengsons on this piece), Em (Red Bull New Play finalist), Prostitute Play (O’Neill Semi-Finalist), and The Piper (O’Neill Finalist, PlayPenn Haas Fellow play).

Additional acting credits include: Talley’s Folly (Syracuse Stage; WSJ Critic’s Pick; TheaterMania best productions of 2020) The Seagull (Bedlam; “best classical productions of 2014” – WSJ) Noises Off (Syracuse Stage), The General from America (HVSF), Cyrano (“Outstanding Performance by an Actress”- DFW Critics Awards, Amphibian Stage), Internet Famous (Youngblood), Dreams of A West Texas Marsupial Girl (PearlDamour), All That Fall (Cherry Lane), and more. Numerous independent films that she has performed in have gone on to festival success, including: Clermont Ferrand Film Festival, Cannes Film Festival, Festival del Film Locarno, Brooklyn Film Festival, Boston Int’l Film Festival, New Orleans Film Festival (Jury Award Finalist), Honolulu Film Festival, Black Maria Film Festival (Stellar Award), etc. Kate has a BFA in Acting, Ithaca College.

Ms. Holmes and Ms. Watson, Apt. 2B was commissioned by and received its World Premiere produced by Kansas City Repertory Theatre; Stuart Carden, Artistic Director; Angela Gieras, Executive Director Developed in the JAW: New Works Festival at Portland Center Stage; Marisa Wolf; Artistic Director; Cynthia Furhman, Managing Director

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